(String: <span id="hs_cos_wrapper_post_body" class="hs_cos_wrapper hs_cos_wrapper_meta_field hs_cos_wrapper_type_rich_text" style="" data-hs-cos-general-type="meta_field" data-hs-cos-type="rich_text" ><p style="text-align: left;"><span style="font-family: Livigno, Arial, sans-serif; font-weight: bold;">The show Circles, produced by Livigno, was a huge success, enlivening the weekend at the prestigious Carcano theater. </span></p>
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<p><span style="font-family: Livigno, Arial, sans-serif; font-weight: 300;">Livigno, 18 novembre 2025 - Milan welcomed </span><span style="font-family: Livigno, Arial, sans-serif; font-weight: bold;">“Circles, the journey of the Games” </span><span style="font-family: Livigno, Arial, sans-serif; font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent;">with the same intensity that Livigno had imagined: a whirlwind of emotions, symbols, memories, and the future. The performances staged at the </span><span style="font-family: Livigno, Arial, sans-serif;"><span style="font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent; font-weight: bold;">Teatro Carcano from </span><span style="font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent; font-weight: bold;">November 14 to 16</span></span><span style="font-family: Livigno, Arial, sans-serif; font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent;">, plus a special matinee dedicated to schools yesterday morning, were a resounding success, with an enthusiastic, excited, and deeply engaged audience. </span></p>
<p data-start="0" data-end="226"><span style="font-family: Livigno, Arial, sans-serif;">This result confirms the great artistic and cultural scope of a project created to celebrate the “one year to go” countdown to the </span><span style="font-family: Livigno, Arial, sans-serif; font-weight: bold;">2026 Winter Olympic Games</span><span style="font-family: Livigno, Arial, sans-serif;">, which made its debut in Livigno last February in a fairytale setting. Circles is a production that embodies the spirit of the resort: its sporting vision, its refined style, its deep connection with freestyle and the universal language of Olympic values.</span></p>
<p><span style="font-family: Livigno, Arial, sans-serif;">The work, produced by </span><span style="font-family: Livigno, Arial, sans-serif; font-weight: bold;">Livigno </span><span style="font-family: Livigno, Arial, sans-serif; font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent;">and conceived by </span><span style="font-family: Livigno, Arial, sans-serif; font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent; font-weight: bold;">Giulia Staccioli and Jacopo Pozzi</span><span style="font-family: Livigno, Arial, sans-serif; font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent;">, intertwines dance, narrative, and physical performance, which, thanks to the expressive power of the </span><span style="font-family: Livigno, Arial, sans-serif; font-size: 1.7rem; letter-spacing: 0.015rem; background-color: transparent; font-weight: bold;">Kataklò </span><span style="background-color: transparent; font-family: Livigno, Arial, sans-serif; font-size: 1.7rem; letter-spacing: 0.015rem;">performers, enchanted Milan with a mix of magic and Olympic spirit. Their choreographic energy was one of the elements most applauded by the Milanese audience, capable of transforming the stage into a suspended place where epic, poetry, and athletic momentum meet. A grammar of the body that accompanies the viewer into the rhythm of the Games, evoking their beauty, anticipation, and most intimate meaning: that of a world coming together under the same horizon. </span></p>
<p><span style="font-family: Livigno, Arial, sans-serif;">The </span><span style="font-family: Livigno, Arial, sans-serif; font-weight: bold;">Carcano Theater</span><span style="font-family: Livigno, Arial, sans-serif;">, an authentic cultural hub in the Lombard capital, a place steeped in history and avant-garde, proved to be the ideal setting for this multisensory experience. Its packed auditoriums, the warmth of the audience, and the presence of schools confirm Circles' ability to speak to different generations, build connections, and bring an entire community together in a shared imagination. </span></p>
<p><span style="font-family: Livigno, Arial, sans-serif;">The Milanese replicas thus become a symbolic bridge: a passageway leading from the city to the mountains, towards the winter that is about to begin and which, for Livigno, will be a unique, unrepeatable winter.<br>The Olympic winter. Because the emotions experienced in the audience are the same ones that, in a few months' time, will light up the slopes and the hearts of those who will experience the Games in the Livigno valleys. Circles is not just a show: it is the prelude, the breath, the heartbeat of a journey that is now underway. And now that the lights of the Carcano have gone out, what remains is exactly what Livigno wanted: an echo. An anticipation. A dream taking shape. Because the Olympics are coming, and Italy has just begun to feel it. </span></p>{{ include_custom_fonts({"Livigno":["Regular","Medium","Light","Bold Italic","Bold","Black","Thin","Medium Italic"]}) }}</span>)
The show Circles, produced by Livigno, was a huge success, enlivening the weekend at the prestigious Carcano theater.
Livigno, 18 novembre 2025 - Milan welcomed “Circles, the journey of the Games” with the same intensity that Livigno had imagined: a whirlwind of emotions, symbols, memories, and the future. The performances staged at the Teatro Carcano from November 14 to 16, plus a special matinee dedicated to schools yesterday morning, were a resounding success, with an enthusiastic, excited, and deeply engaged audience.
This result confirms the great artistic and cultural scope of a project created to celebrate the “one year to go” countdown to the 2026 Winter Olympic Games, which made its debut in Livigno last February in a fairytale setting. Circles is a production that embodies the spirit of the resort: its sporting vision, its refined style, its deep connection with freestyle and the universal language of Olympic values.
The work, produced by Livigno and conceived by Giulia Staccioli and Jacopo Pozzi, intertwines dance, narrative, and physical performance, which, thanks to the expressive power of the Kataklò performers, enchanted Milan with a mix of magic and Olympic spirit. Their choreographic energy was one of the elements most applauded by the Milanese audience, capable of transforming the stage into a suspended place where epic, poetry, and athletic momentum meet. A grammar of the body that accompanies the viewer into the rhythm of the Games, evoking their beauty, anticipation, and most intimate meaning: that of a world coming together under the same horizon.
The Carcano Theater, an authentic cultural hub in the Lombard capital, a place steeped in history and avant-garde, proved to be the ideal setting for this multisensory experience. Its packed auditoriums, the warmth of the audience, and the presence of schools confirm Circles' ability to speak to different generations, build connections, and bring an entire community together in a shared imagination.
The Milanese replicas thus become a symbolic bridge: a passageway leading from the city to the mountains, towards the winter that is about to begin and which, for Livigno, will be a unique, unrepeatable winter.
The Olympic winter. Because the emotions experienced in the audience are the same ones that, in a few months' time, will light up the slopes and the hearts of those who will experience the Games in the Livigno valleys. Circles is not just a show: it is the prelude, the breath, the heartbeat of a journey that is now underway. And now that the lights of the Carcano have gone out, what remains is exactly what Livigno wanted: an echo. An anticipation. A dream taking shape. Because the Olympics are coming, and Italy has just begun to feel it.
